Friday, September 20 2024

Over the years, New York City’s electronic music virtuoso, Wavewulf (aka Nicholas Long), has continually pushed the boundaries of genre, weaving a tapestry of sound that is as profound as it is captivating. With each release, he has demonstrated a remarkable ability to traverse the vast landscapes of electronic music, drawing on the depths of various subgenres to create a singular auditory experience that resonates deeply with his listeners. As he prepares to unveil his fifth full-length album ‘Unbreakable Soul’, Wavewulf stands poised to once again elevate the electronic music scene with his innovative and emotionally charged composition ‘In Every Blue’.

‘In Every Blue’ is a testament to Wavewulf’s mastery in blending intricate textures into a cohesive and immersive sonic experience. Adopting this broad array of genres including dream-pop, shoegaze, electro, synth-wave, and synth-pop, alongside some beautifully powerful vocals from Nala Spark, Wavewulf showcases his unparalleled adaptability and creativity in music production, offering listeners a rich and varied auditory landscape.

Following on from his previous unveiled efforts ‘Unbreakable Soul’ and ‘Echo In The Dark’, ‘In Every Blue’ offer a glimpse into the immersive world Wavewulf has created. Infused with a strong sense of emotion and expression, transporting the listener into an idyllic world of sound, he not only continues to carve out his unique space in the electronic music scene but also solidifies his role as a leading light, one that is always pushing the boundaries of his aesthetic to date.

With the album ‘Unbreakable Soul’ set to land on the 4th October, ‘In Every Blue’ sets a dazzling stage for what we can expect on the new LP. Wavewulf’s latest creation leaves a lasting impression, once again reaffirming his place as one of electronic music’s most innovative and emotionally resonant artists.

Review

Wavewulf – ‘In Every Blue’

Summary

A warm and sprawling electronic delight
78%
Great

Rating

Songwriting
Production
Lyrics
Cons
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