Norwegian alt-pop sensation Rikke returns with ‘High Horse (Be Gone)’, a spirited and groove-filled lead single from her forthcoming album ‘Not Even Air Can Come Between Us Now’. Known for sharing the stage with John Legend at the Nobel Peace Prize Concert, Rikke brings a refreshing blend of funk-soul energy and lyrical depth to this latest release.
While ‘High Horse (Be Gone)’ pulses with an upbeat rhythm, the song’s narrative digs into a more personal, weighty topic: setting boundaries in toxic friendships. Rikke’s soaring vocals ride over a slick, infectious groove as she tells the story of dealing with friends whose self-centered behaviour becomes too much to bear. It’s a tale of reclaiming emotional balance, and the contrast between the music’s buoyant sound and the serious theme of the lyrics makes for a fascinating dynamic.
In ‘High Horse’, Rikke tackles a subject that’s rarely discussed in mainstream music- ending unhealthy friendships. “Breaking up with friends is still taboo for many,” Rikke shares, reflecting on the difficulty of navigating platonic relationships when they turn sour. Her music becomes a vessel for self-empowerment, as she pushes back against draining connections, offering listeners an anthem of strength and self-respect.
Born near Oslo but having spent formative years in Stockholm and London, Rikke’s songwriting is steeped in both Scandinavian cool and English introspection. This eclectic cultural background shines through in her work, blending introspective lyrics with expansive, genre-bending sounds. Her distinct style has won her acclaim across Europe and even garnered a loyal following as far afield as Brazil. Now, with ‘High Horse (Be Gone)’, she takes another confident step forward, proving herself as not only a remarkable vocalist but also a storyteller with something profound to say.
As ‘Not Even Air Can Come Between Us Now’ approaches, Rikke continues to build her legacy as one of Norway’s most captivating musical voices. With influences ranging from Björk and Bon Iver to Fleetwood Mac, she remains dedicated to crafting songs that speak to the unheard and misunderstood, all from the solitude of her Oslo apartment and its 100-year-old grand piano. ‘High Horse (Be Gone)’ is just the beginning of what promises to be an evocative and powerful album, one that will undoubtedly resonate with listeners far and wide.
