Friday, March 6 2026

Oliver Anderson – ‘To Kill A Saint’

Oliver Anderson unleashes ‘To Kill A Saint’, a blistering five-track EP led by its explosive title-track, diving head-first into taboo subjects, political fury and the darker edges of the human psyche. Created with producer Jennings Couch, the project showcases Anderson’s evolution from lighter alt-rock moments to heavier, genre-bending ferocity, cementing him as one of South London’s boldest emerging voices.

Nino Mayanna – ‘Aje’

Nino Mayanna returns with ‘Aje’, a vibrant fusion of Afrobeat, R&B and pop that channels her determination, self-belief and the resilience shaped by an extraordinary life journey. From her unexpected childhood transition into royalty to surviving a devastating gas explosion, the Nigerian-born, UK-based artist transforms trauma into creativity, emerging as a boundary-pushing performer known for her originality and pioneering use of the talking drum.

Zeke The Zombie Slayur – ‘be right there’

Zeke the Zombie Slayur unveils ‘I’m Glad I Made This’, a 26-track concept album that interrogates selfhood, jealousy and the pursuit of artistic independence, anchored by the standout single ‘be right there’. The Brooklyn polymath produces, designs and conceptualises every element of his surreal, spiritual and streetwise universe, reframing hip-hop as a “frequency of love” and a vehicle for profound self-reflection.

Leodis – ‘Days Like These’

Leodis unveil ‘Days Like These’, a reflective new single that traces its origins from a 2021 breakup song into a deeper meditation on loss, change and the lingering moments that pull us unexpectedly back. With time and perspective, the Leeds trio reshape the track into a universal portrait of holding on, letting go, and the days that still feel like square one.

Redtenbacher’s Funkestra – ‘Code 12’

Redtenbacher’s Funkestra mark thirty years of independent groove with ‘Funkopia’, a 10-track celebration of craft and collaboration led by the slick, smoky single ‘Code 12’, recorded live with UK guitar greats Tony Rémy and Mike Outram. Featuring long-time members of the Masterlink Sessions Collective and elite horn section Horn House, the album embodies the ensemble’s decades-deep musical trust and genre-defying funk identity.

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