D’chrome Foster – ‘Right Now’
D’chrome Foster returns with ‘Right Now’ featuring BBass, a vibrant, club-ready single that blends classic R&B emotion with modern hip-hop swagger. Rooted in a spontaneous nightclub encounter, the track showcases his playful storytelling and groove-driven sound while reinforcing his status as a multifaceted rising artist.
Almost Alive – ‘Eclipse Within’
Almost Alive return with ‘Eclipse Within’, the slow-burning, spiritually charged lead single from their new album ‘Hypnotica’, blending modern rock power with cinematic progressive atmospheres through a fusion of human performance and AI production. Inspired by bands like Tool and Nine Inch Nails, the track unfolds as a hypnotic, ritual-like ascent that marks a heavier, more immersive evolution for the New Jersey project.
The Ingrid – ‘Limerence’
The Ingrid introduce themselves with ‘Limerence’, a shimmering debut single built on hazy guitars and introspective lyricism that explores obsession, self-sabotage and acceptance. Shaped in a Chichester rehearsal room and refined with legendary producer Greg Walsh, the track is grounded by Jess Charleslyn’s emotive vocals and a quietly powerful sense of human clarity.
Alina Ly – ‘The Way Of My Lover’
Alina Ly delivers her debut album ‘Shoebox’, a collection of intimate, cinematic songs that transform a decade of emotion into cathartic release and quiet healing. Anchored by the raw, single-take recording ‘The Way of My Lover’, the album captures a new depth of vulnerability, reflecting loss, acceptance and Alina’s renewed relationship with songwriting.
Curfew – ‘Flaketown’
Irish trio Curfew release their debut album ‘Black Doll’s Eyes’, a cinematic hard-rock release that blends raw intensity with reflective lyricism and marks a major moment for the rising Dublin band. Recorded at Temple Lane Studios, the album includes standout track ‘Flaketown’, a retro-tinged yet modern reflection on human connection and digital-age distraction.
