Cinematic
‘call you by your namE’- Lera Shemi, deepening the spiral
Some songs feel like a confession, while others feel like the moment before one; when the words sit heavy in your chest, […]
‘Only a broken heart can hold the world’- Susan Style, rebuilding an identity
Some albums feel like statements, while others like transformations. Susan Style’s debut album ‘Only a broken heart can hold the […]
‘Floor’- Canja, awakening something ancient and alive
There’s a pulse at the centre of ‘Floor’ that feels older than language; something instinctive, physical, and almost spiritual. Canja’s […]
‘Tapestry’- Fish And Scale, stitching light through fear
There are songs that tell a story, and then there are songs that revisit one as if touching something fragile that never […]
‘I Might Be An Alien’- Lee Switzer-Woolf, drifting through disconnection
There’s something deeply unnerving about a song that doesn’t explode, doesn’t resolve, or even fully reveal itself; it just lingers, […]
‘Put It Behind Me’- Kevin Driscoll, letting go in slow motion
There’s a quiet weight to ‘Put It Behind Me’ that settles in gradually, like a thought you’ve been avoiding that […]
‘Knife Emoji’- Knife Emoji, drifting between signal and shadow
Knife Emoji’s first full-length release arrives with a quiet sense of intent. This is a carefully constructed world that unfolds […]
‘Driftwood Hearts’- Nicindie, capturing love’s long shadow
Some songs feel written in a single moment, while others feel lived, and on ‘Driftwood Hearts’, Australia’s Nicindie delivers an intimate reflection […]
‘Bee In The Cage’- Case Against Time, exploring mechanical hives and beautiful errors
There’s a strange kind of beauty in things that don’t quite work as intended, and on ‘Bee in the Cage’, Case Against […]
‘Come To Me Lover’- The Violent Years, a song waiting in time
On their eagerly-awaited new single ‘Come To Me Lover’, Norwegian outfit The Violent Years unveil a piece that feels like it has been quietly […]













