Indie Grid
‘Crown of Glass’- Fanny Alexandra, shattering the illusion with alt-pop power
‘Crown of Glass’ is built around an image that looks glamorous right up until you hold it up to the […]
‘Red Pill’- AmĂ©lie Giardini, finding sweetness at the edge of existential dread
There’s an elegant tension running through ‘Red Pill’. Throughout its runtime, AmĂ©lie Giardini doesn’t treat awareness as liberation or escapism […]
‘State of Mind’- BECHILL, turning self-doubt into late-night catharsis
‘State Of Mind’ feels like the kind of song that only really makes sense after midnight. BECHILL’s latest single arrives […]
‘Highland Mist’- Martin Lloyd Howard, painting a tranquil setting
There’s something immediately transportive about ‘Highland Mist’. With nothing more than a steel-string acoustic guitar, Martin Lloyd Howard creates a […]
‘The Vault 4 Cinematic’- C’batch, working best without words
Instrumental music asks for a particular kind of trust. Without lyrics, an artist cannot simply tell us where the sadness […]
‘Brave, Rough, and Ready to Go’- Sgt, Splendor, turning spectacle into a call to arms
Sgt. Splendor have always seemed most comfortable when the line between song, theatre and provocation starts to blur. And on […]
‘Hard To Leave You (The Barbarian Mix)’- RISE, adding weight to a euphoric anthem
There is always something interesting about hearing a band return to a song because they still believe there is more […]
‘OutLands’- Disco Dreams, opening a new chapter with an expansive sound
After eighteen months spent refining his direction and preparing the foundations for a second studio album, Disco Dreams returns with […]
‘Time To Say Goodbye’- Peppermint Heaven, slowing the pulse and looking inward
Peppermint Heaven have spent much of their recent work leaning into electronic momentum, but ‘Time To Say Goodbye’ finds the LA […]













