Friday, September 11 2026

‘Crocs with Socks’- Lil Sanga, questionable fashion choices and a party energy

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Lil Sanga knows exactly what kind of song ‘Crocs with Socks’ wants to be, and that clarity gives it much […]

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‘Love ‘n Let Live’- Cass DiFonte, letting the sunshine in

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Cass DiFonte makes optimism sound wonderfully effortless on ‘Love N Let Live’. Following her debut single ‘Fly Like A Bird’, […]

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‘That’s What I’m Thinking’- Annika Bellamy, transforming a passing thought into a pop daydream

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Annika Bellamy’s ‘That’s What I’m Thinking’ captures that familiar moment when an ordinary day suddenly becomes much more interesting because […]

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‘Sing-Along Songs’- Arn-Identified Flying Objects and Alien Friends, sharpening their musical bite

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Arn-Identified Flying Objects and Alien Friends return to ‘Sing-Along Songs’ with a version that feels closer to the track’s original […]

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‘My Morbid Reverie’- Lilia Asha, pushing her sound into bold new territory

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With her latest offering ‘My Morbid Reverie’, Leamington Spa’s Lilia Asha sounds like an artist rapidly discovering just how far […]

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‘Skinny Boyfriend’- Ellijai, turning infatuation into a sharp, swaggering rush

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Ellijai has been building momentum quickly over the last two years, but ‘Skinny Boyfriend’ feels like the moment her personality […]

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‘Whispered Dreams’- Suzy Pine, unfolding with patience and grace

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There’s a subtle confidence to ‘Whispered Dreams’, the latest single from Rotterdam project Suzy Pine. Built around the creative partnership […]

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‘How’- Astian, turning post-breakup uncertainty into something effortlessly catchy

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After building steady momentum with ‘Low Low’, Swedish artist Astian returns with ‘How’, a track that takes the confusion of […]

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‘Alone’- Sam Ostler, turning heartbreak into a towering pop release

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Sam Ostler has always understood the power of a big emotional chorus, but ‘Alone’ feels like one of his most […]

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‘Red Pill’- Amélie Giardini, finding sweetness at the edge of existential dread

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There’s an elegant tension running through ‘Red Pill’. Throughout its runtime, Amélie Giardini doesn’t treat awareness as liberation or escapism […]

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